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May 23, 1997, Friday

Today's lesson: making wine is better than making winos.

Liz West videotaping on the streets of Charlottesville.
Jacques deBeaufort at Jen Fariello's new house.
A

s I walked by Macadoos, the McDonalds of over-accessorized college-town bars, I saw Catherine deGood's dog Deeohji waiting anxiously for his mistress. I walked in and found her hanging out with a large variety of strangers. Being as drunk as I was, I was perfectly comfortable hanging out and videotaping.

I went upstairs and harrassed the young adults at a number of tables. I didn't know any of them, of course, but that didn't matter in the state I was in. The best way to deal with strangers in a situation like this is to act like a television interviewer. One girl I "interviewed" brought up the subject of some guy who tried to get her to perform fellatio upon him. That gave me a subject to explore, and from then on, I "interviewed" everyone about their opinions on oral sex. I don't recall any of this very well, but I know I did all of this stuff because it's on videotape. Despite my intoxication and weak memories of the event, in the recording I came across as fairly eloquent and sociable (if also extremely single-minded and rather irritating). It's a wonder, though, that no one beat me up.

Out in front of Little John's, I found Liz West videotaping. She's another one of the artists who is participating in Jenfariello's 11:15 photo-documentary project. We videotaped each other as we dodged around and through others such as Jacques deBeaufort (according to Elizabeth, deBeaufort is French for "beautiful fart"). Police were out in force seeing to it that the streets stayed calm. 11:15 had already passed.

Then I ran across Jenfariello's friend Sam, and he invited me to a house warming party. He, Jenfariello and Ami Sage have rented a glorious old mansion off Cherry Avenue in the South-Central part of town. It's a mostly-black neighborhood and the rent is very low: about $100 each.

Like the porch that collapsed during graduation, it floats on metal rods coming down from the post-and-lintel construction above.

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